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Tag Archives: street
Shooting Strangers?
I was sitting with photographer Robert Brown and he asked if I had ever been confronted when taking photos in public. Yes, well kind of. Most people don’t pay attention, some are politely curious. I can only ever recall a few occasions that might have been out of the ordinary.
One situation was a wobbly young man with slurred accusations. That was easy. Pick up and walk away. You can’t negotiate with a giant walking martini.
“Like a showdown at the OK Corral we were shooting each other.”
Another interesting event was in the heart of downtown Toronto. A security guard came out with a camera and began taking my picture, so I took his. I was in a public space on a sidewalk and well within my rights like any tourist, from a courtesy and legal perspective . He was clicking away and walking towards me. Like a showdown at the OK Corral we were shooting each other.
Face to face, he began asking questions and asked for personal information – out of bounds lets say. However, I gave him more information than he might have ever wanted including my business card with an invitation to visit some of my websites and maybe join me for an online course. And don’t forget, the secret weapon – smile.
In my mind, barely a confrontation.
Most strangers are just friends we haven’t met yet.

Would you ask a stranger on the street if you could take their photo?
Photography is a great way to engage others. People are so much more than what we see on the surface. It’s marvelous how total strangers on the streets of a big metro city can be so open and willing to share.
How to approach someone you don’t know about taking their photo.
How do I ask?
When taking photos in public places, anyone can see what I’m doing. And it strikes their curiosity. They want to get in my head. What is so interesting? Take your camera into a busy place anywhere on the planet, point it up to the sky and you’ll notice many heads will look up with you.
Always smile. Say “Hello” and “How are you?”, get some small talk going. More often than not, the person asks me something about what it is I’m photographing. Great segue and a good sign. I prefer not to rush into asking them if I can take their photo. That’s personal. You can build a lot of rapport in five minutes. I haven’t been turned down.
What are you going to do with the pictures?
My explanation goes something like this:
“I take a lot of photos. Most of them get deleted. Occasionally, some turn out really well. I don’t expect to do anything with these commercially, because this is casual photography I do just for fun. If you like, I’ll give you my card or I can take your contact information. If something turns out nicely, I’ll let you know. I’d gladly give you a print.”
That usually seals the deal. I’m not spelling this out so you can have a script.
Just tell it like it is.
Getting serious and using a release form.
I have list of ideas for photo imagery I want to create that will involve people. I might want to use a release form. These creative projects would be staged, perhaps in the studio or other locations. Still casual and for my own amusement and self promotion. I would likely consider using a release form. Most people are enthused to participate in creative projects and I would certainly provide them with a print of the best outcome(s). Commissioned commercial photography is whole different show.
A sample release form.
Here’s a very simple sample release form. Click this link to download. I’m not a lawyer although I do play one on TV, so do your homework and have fun.
Thanks for sharing your questions and comments here on the community blog. That’s a wrap!
Posted in Articles & News, Marc's Photos and Galleries
Also tagged brown, corral, download, form, giant, guard, martini, model, OK, Photography, release, robert, security, shooting, strangers, toronto, walking
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Meant To Be In Black & White

I reworked a few photos of Daniel for the first time in black and white (slight residual color). They were meant to be like this. Stripping away the distraction of color changes everything.
Some background to these photos
Daniel is a free spirited war veteran, street wise and most often quite comfortable with his way of life on the streets. He muses at the hustle and bustle of us city folk everyday. He’s had his panhandling corner for a very long time and everyone knows him. Daniel had plenty of support from people in the adjacent office tower, the police and even lawyers at the Law Society up the street.

On my trips down to the city, we sat and talked on many occasions. Well, mostly I listened. Daniel had a colorful life filled with adventure and mischief. He spoke like a gypsy philosopher and was a sort of renaissance man with diverse talents.
I look to the corner where I used to delight in his stories, hoping I might by chance see him.
I haven’t seen Daniel for a few years now. Still when I pass, I look to the corner where I used to delight in his stories, hoping I might by chance see him. Word was that Daniel and his wife were off the streets having been able to obtain some kind of government assistance with the help of others. That may have taken some convincing knowing Daniel.
Stay well Daniel.
Marc’s Workflow Notes:
- Shot in RAW format
- Open in PhotoShop RAW editor
- Save three exposures +2, 0, -2
- Open and process all exposures in Photomatix Pro, Tone Mapping / Fusion (Fusion used to be Details Enhancer)
- Save HDR result as JPEG and open in PhotoShop
- Lab Sharpening Technique (I’ll reissue this technique here at MAMA in an upcoming article. It’s a must know basic for all budding photographers)
- Image/Adjust/Hue and Saturation and move Saturation slider left
- Dodge Highlights, burn shadows at about 11% with a soft brush to punch contrast.
Have fun and make photography an adventure. Try new things!
Posted in Articles & News, Marc's Photos and Galleries
Also tagged black, daniel, homeless, lab, people, portrait, sharpening, technique, toronto, white, workflow
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Back To Main Street Part 2 -
It was suggested by R J Smith that a previous panorama scene might look nice if it was snowing. I did return but only after the snow fall. The winds were otherwise too strong. One day, I’ll get the soft gentle flurries.
This panorama is wider than the first with a full 360 degrees. One personal critique is that I might have preferred tops of the two center buildings not be merged past the top edge. Still had fun experimenting.
(Click image below to view enlarged 2000 pixel wide version)
Note: If your browser re-sizes images to fit your browser window, you may not be viewing the full 2000 pixel width.
The conditions were overcast (cloudy) early sunrise. The light was very different from the first version even though it was overcast on that day too. Mid-day overcast is still much brighter than early sunrise overcast.
It was just after 6AM on a long weekend. I was able to take this 360 series of panorama shots set up in the road.
The Shooting Workflow:
- Check camera settings: aperture, white balance (set and test shots), ISO set to 100
- Set up tripod, mount camera on ball panning head, plug in remote shutter release
- Set panning head to 90 degrees portrait orientation and level
- Take sequential overlapping photos to complete one full turn (360 degrees)
- Review, recheck settings and re-shoot two more times.
The Processing Workflow:
- PhotoShop Photomerge to digitally stitch and save panorama as JPEG
- Open as Camera Raw format in PhotoShop Raw editor
- Create and save three JPEG exposures +2, 0, -2
- Open all exposures in Photomatix Pro (HDR) Tone Mapping / Details Enhancer
- PhotoShop various adjustments: dodge, burn, clone, blur, add noise, select area saturation / desaturation, lab sharpen.
That’s a wrap for this one, but…
Something about this spot. I’ve a feeling I’m done with this area yet.
Posted in Articles & News, Marc's Photos and Galleries
Also tagged 360, ball, degrees, head. photomatix, main, panning, panorama, pro, processing, RJ, Smith, workflow
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How About A Full 360 Photograph?
Found a great spot with the latest urban graffiti and street art. Return to the back alleys of Queen Street in Toronto – that’s the place.
The 360 panorama you’re going to see totaled about 25 shots and consumes significant computing power for digital stitching, HDR and editing in general.
First, some notes about how to view this.
About Viewing The Toronto Back Alley 360 Degree Photo:
The full width of this extreme panorama won’t fit in this blog without extreme reduction in the width dimension. So click on the image below to launch a full view. If you have dial up, it could take a couple of minutes to load into your internet browser. Cable and high speed should still be fairly fast for this 1 megabyte optimized photo. Then use the scroll bar to view the whole width.
(Note: if your internet browser resizes image to fit, don’t bother with this image link).
(Click on the image below to launch and view the full 360 degree photo)
How to shoot a 360 panaroma
What Marc used:
- Tripod
- Remote shutter release (Or use the Self Timer Function)
- Panning head on tripod
- Wide angle lens
Shooting the 360 degree panaroma
How Marc set up and took the shot sequence:
- Set in the center on two intersecting alleyways.
- Note your starting point for the first shot.
- Ensure that each shot overlaps content. Lots of overlap is good.
- This 360 was about 25 shots total.
- Use a relatively wide angle focal length. This was about 26mm.
- Set camera to Aperture Priority shooting mode and set a mid to high f-number, this was f13.
- This ensures everything is in focus from front to back of the scene.
- Check that your white balance matches the lighting conditions or set to custom white balance.
- Start shooting until your return to the same point of the last shot.
- Although this will be processed in HDR, I took one shot of each frame and did not use Exposure Bracketing common to HDR photography. More ahead in the next section.
Processing a 360 degree panaroma
Marc’s work flow:
- Shot in Raw format (habit). You can shoot in common JPEG format.
- I converted my shots to JPEG.
- Digitally stitched with PhotoShop Photomerge and save.
- Open the stitched as file type Camera Raw.
- In the Raw photo editor, save three JPEG exposures +2, 0, -2.
- Open the three JPEG exposures in Photomatix Pro and apply Tone Mapping / Details Enhancer.
- Save HDR processed file and open in PhotoShop for some final edits.
- Sit back and say “Coool!”
Let me know if you have any questions…always a pleasure. Comments are always welcomed too.
Did you have fun today?
Posted in Articles & News, Marc's Photos and Galleries
Also tagged 360, alley, aperture, back, bracketing, degree, details, digital, editor, enhancer, exposure, f-number, format, hdr, head, mapping, marc, panning, pano, panorama, panoramic, photo, photomatix, photomerge, photoshop, priority, pro, queen, raw, release, remote, shutter, stitching, tone, toronto
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Photo Du Jour – Back Alley Flats
A funny thing happened on the way to the dentist…
Yes, the “Photo Du Jour” features some back alley flats and graffiti. Yes, even when going to the dentist I walk in with my back pack full of camera gear. After some Hollywood dental cosmetics I was off to the back alleys of Queen Street, Toronto.
While the rest of the photos were downloading at the studio, I spotted this, so their could be more to come. I shot a couple of full 360 degree panoramas. We’ll see what transpired soon enough.
In the meantime, your Photo Du Jour.
(Click on photo for a more detailed enlargement)
Shooting Details
- 24-107mm lens, about 30mm. ISO 100, Daylight White Balance, F11.
- Tripod
- 3 Exposures using remote shutter release, Exposure Bracketing
- Raw file format
- Process 3 exposures in Photomatix Pro, Tone Mapping / Details Enhancer
- Some dodge, burn and lab sharpening technique in PhotoShop
- Run away from pitbull
So what did you shoot today?
Portrait Painting Without Brushes?
R U Ready For An Eyeful?
Working in portraiture and using only spray paint David’s ability to capture his subject in his trademark multi-layered style has seen him invited to exhibits all over the world and his work becoming highly collectible.
Using self-enforced constraints such as a ‘no brushes rule’ David is pushing the medium in his own unique direction and challenging preconceptions.
David is known worldwide. I contacted him with an open invitation to tour some of Toronto’s premium alleyway galleries and he was delighted to be featured here.
You can see here why David’s art has gained the attention of the global public. Dare to be different.









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