Category Archives: Feature Photographers & Artists

Compilations of photos, art and media.

Shelter Dogs

Waiting for a friend…

That’s what seems to gleam through the eyes of these shelter dogs, the subject of one of Traer Scott’s best selling books. Simple near black and white portraits that grab your imagination and feelings.

Traer has been widely acclaimed for helping to bring awareness to forefront in a unique way.

Traer Scott Photography Shelter DogsTraer Scott Photography Shelter DogsTraer Scott Photography Shelter DogsClick any thumbnail image to see a more detailed view

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Traer Scott Photography - Shelter DogsTraer’s book Shelter Dogs is available online at the ASPCA Store.

She’s been very well reviewed by Life, Vogue, People and O to name just a few.  Scott was the recipient of the 2008 Helen Woodward Humane Award for animal welfare activism and was most recently awarded the Rhode Island State Council for the Arts 2010 Photography Fellowship Grant.

MAMA: “What are you using for lighting? You’re achieving some nice portrait lighting.”

Traer: “Shelter Dogs was shot with good old-fashioned, environmentally friendly shade. Every shot is 100% natural outdoor lighting.”

MAMA: “What was your favourite lens for this project?”

Traer: “People are always surprised to hear that this book was shot with an Olympus digital point and shoot, but it was. At the time I was still shooting film which seemed prohibitively expensive for this experimental  project since it often takes about 50 shots to get “the one”.  Plus my pro gear was simply too cumbersome to bring into the shelter on a daily basis. My little Olympus Camedia got drooled on, rained on and knocked out of my hand countless times. It took the abuse in style. Even now, I still use a point and shoot for shelter photos rather than my pro gear.”

MAMA: “What were some of the challenges in photographing shelter dogs and what tips can you share with budding photographers?”

Traer: “Photographing animals is challenging to begin with but when you’re working with dogs whose trust has often been violated through abuse and neglect it can be even harder. Many are afraid of the camera or simply afraid of people in general. You have to find what motivates that specific dog and play to that. For many dogs, food is the great motivator which trumps fear, anxiety or shyness- while with others it’s toys or sounds that get their attention. Sometimes you have to spend a lot of time with a dog before they will feel comfortable enough to let their guard down. My advice is to be patient… and always carry treats.”

There’s so much more…

You really have to visit Traer’s web site with links to news, her blog, bio and her latest book!

 

Thank you for sharing with us Traer!

All the best in your endeavors.

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Making Magic Photographing Children

“Laura Lynne Photography” Is Fun

Photographing children comes naturally to Laura Lynne with her organic style.

Click any photo for a more detailed view.

Laura Lynne Photography featured at MAMALaura Llynne Photography featured at MAMA
Laura Lynne Photography featured at MAMA

Kids, they light up your life. A few photographers have that combination of patience and timing to capture the magic moment. Laura Lynne Stetser caught our eye here at MAMA.

She’s offered to share some tips and advice too!

Laura has a breadth of creative work. Her children’s photos have a sparkle, a “joie-de-vivre”. Capturing the energies and memorable expressions that would make any parent gleam. She’s also very technically astute in how she frames up her subjects and uses the space in the frame with attention to details like composition.

Click on any thumb to for a detailed view.

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Laura Lynne Photography featured at MAMAQ and A with Laura Lynne

MAMA: “Budding photographers often say that photographing children is challenging, sometimes difficult. How do you handle the more challenging kids?”

Laura Lynne: “ I genuinely love working with kids. Having three of my own definitely helps in relating to and working with children and their different personalities. There are steps you can take that help avoid having a difficult child in your studio to begin with.”

Laura Lynne’s Tips From Experience

It’s important to book a session at a time that is right for each child. In my experience, most children are better in the morning versus afternoon.

  • Ask the parents when their child is at their best and book the session around that time.
  • Remind the parents to bring snacks or bottles and to stop for snack times during your session if necessary.
  • Ask the parents to bring favorite items their child loves (ie lovies, stuffed animals, etc). Helps them feel more comfortable in the studio or whatever your location.
  • Give the child time to adjust to your studio or location before you begin shooting and to interact with them a little so they feel comfortable with you.

Laura Lynne Photography featured at MAMA

What if I still have problem child?

If you’ve done all those things and you just happen to have a difficult child on your hands there are a few tricks you can try. The tickler (I learned this from Sandy Puc) – have a few dusters in your studio and introduce the child to them as “the tickler”. I explain that in my studio, if you don’t smile, you get tickled. I show them by tickling mom with the duster, then giving mom control of it. During our session, I’ll coach her to jump in and “tickle” her child with the duster. Of all the simple but oh-so-effective-tips I’ve gleamed from seminars and classes, this is the number one shining gem. Works like a charm. Never tickle in the face and usually works for children 6 months + and older.

Other methods

  • Singing songs like Wheels on the Bus or something they’re familiar with.
  • Playing peek-a-boo from behind the camera.
  • Saying things like “I’m gonna get you!” and hopping in to lightly tickle them.
  • Sometimes, just taking frequent breaks and changing the set.
  • Finally, having mom and dad leave the room can help.

Studio Lights, Indoors, Natural Light, Outdoors, What Do You Prefer?

MAMA: “What are some of the  things you prefer when it come to a photo shoot?”

Laura Lynne: “  I love it all. I think a blessing/curse with me is I get bored very easily so I’ll never be the photographer to work with one set or one location repetitively. I like mixing it up – after winter, I’m itching to get outside and work with sunlight but I adore my studio and having different props easily accessible and playing with lights and effects. The curse is it can be really expensive to constantly want new backdrops and props so I’m always on the lookout for great thrift store finds or clearance items for props, etc. and I’m a big fan of painted walls (easy to change!) and wallpaper (easy to cover!) and rugs (easy to pull around and create different looks).”
Canon Zoom Wide Angle-Telephoto EF 24-70mm f/2.8L USM Autofocus Lens

Laura Lynne’s Favorite Lens

MAMA: “What is your favourite or most often used lens(es) and why?”

Laura Lynne:Canon 24-70mm f/2.8 L – I like being close and personal but not too close (or too far) – this lens is a perfect blend for tight and full body shots while remaining in close proximity to your client and it’s sharp, fast and reliable.”

How Did Laura Lynne End Up Here?

“Trial and error, many mishaps, several small successes and making good contacts, then finally forming a solid client base that fits my style, personality and studio. I’m still working to build that client base but I feel that my studio is coming into a place where I’m finally working with people who truly appreciate my art and who I really enjoy working with and who, in turn, enjoy working with me.

I want to work with clients that inspire me to do anything to make them happy because then I know I’m working with people who appreciate me as much as I appreciate them. It is a business but it’s truly a personal, customer-service driven business.  I refer to my clients as my studio family and for me, they are an extension of my family and friends and that’s the way I want it.”

Laura Lynne’s Business Advice

“Learn everything you can but then make your own decisions based on what works for YOU – don’t set your standards by what other studios do, learn from them but make choices based on what fits your style, your personality and what you want to bring to the industry and to your clients.”

What I like to Photograph For Fun, On My Own Time

“I grew up in the country and learned a lot about my craft by spending days hiking the trails and photographing scenery. I love to escape to the country or small towns and spend days photographing nature, store windows or whatever else inspires me.  Then, every once in awhile, it’s always fun to grab an inspiring subject and just do a shoot for fun where there are no expectations and you can play with posing and light and composition.”

Thanks to Laura Lynne for sharing, inspiring.

Check out the Laura Lynne Photography website for more creative and inspiring photos.

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Origami Gone Wild

The Ingenious 3D Origami Sculptures of Jeremy Kool

There’s origami and then there’s Jeremy Kool’s 3D origami.

He’s been creating the most intricate 3D wildlife emulating this ancient art of paper folding and the world is taking notice.

Jeremy uses 3D software (Maya 2012) to create his characters and environments. The amazing digital finesse has you believing it.

We contacted Jeremy because we were so impressed with his creativity and artistic ingenuity…and it’s fun! The project that has created a buzz amongst art fans is The Paper Fox Project.

The best way to appreciate Jeremy’s incredible 3D techniques is to have a look. Click any image to better appreciate the finer details.

3D Origami Art by Jeremy Kool3D Origami Art by Jeremy Kool

 

3D Origami Art by Jeremy KoolClick on any image to in the thumb gallery for a finely detailed view.

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The Paper Fox Project will be featured in Digital Arts Magazine February 2012 edition and more recently in 3D Artist Magazine.

Check out Jeremy’s blog for more details at http://thepaperfox.blogspot.com/.  You’ll find a selection of quality professional prints from The Paper Fox Shop.

Jeremy’s ultimate goal is to create an interactive storybook for iPad and other tablets. Team Paper Fox is working on concepts and story development. We’ll look forward to watching your story grow and thanks for letting us share your work.

Jeremy is a 3D artist and Graphic Designer. For freelance work email him at – jeremykool [at] gmail [dot] com.

The Paper Fox is on the loose!

3D Origami Art by Jeremy Kool

Find something interesting, creative, entertaining?

Submit a link to MAMA.

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Art In The Air – Jeffrey Milstein’s View

We see jets. Jeffrey Milstein sees art flying by.

“The Jet as Art” is Jeffrey Milstein’s latest exhibition at the Smithsonian.

Jeff was always fascinated by planes and used to hang out at LAX to catch them flying on by. The little kid is still there only bigger and now equipped with a camera.

The average fly by speed can be over 200 mph which in itself presents a challenge. Timing is everything. The engineering is 360 degrees, but we rarely if ever consider the underside of a jet’s complex lines, textures and geometrics. It’s very creatively refreshing!

Jeffrey Milstein Jets as Art - Art int the AIr Photography

Jeffrey Milstein Jets as Art - Art int the AIr Photography

Jeffrey Milstein Jets as Art - Art int the AIr Photography

 Click any thumbnail to view

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He has compiled a significant body of work into a book dedicated to this awesome perspective.

Jeff’s work will be on display at the Smithsonian

AirCraft: The Jet As Art will be on display November 25, 2011 through November 25, 2012 at the Smithsonian National Air and Space Museum in Washington D.C. This collection of 33 super-sized photographic prints presents the power and elegance of aircraft in flight and transforms aviation technology into fine art.

All the best with your exhibition at the Smithsonian Jeff!

Jeffrey Milstein Jets as Art - Art int the AIr Photography

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There’s a New “Cake Boss” in Town

Karen Portaleo Cake Artist at Highland Bakery in Atlanta, GeorgiaIt’s art you can sink your teeth into. Amazing cake creations by sculptor /artist Karen Portaleo. She’s been getting a lot of attention and expects to begin teaching in locations around the world. Costa Rica, Kitchener, Sydney and some places across the USA.

Karen is the lead decorator at Highland Bakery in Atlanta, Georgia. She came to cake by way of sculpture, and enjoys the melding of the two. She likes to spend her spare time (HA!) drawing (Karen illustrated her entire website), researching historical costumes and eating. She likes fabulous shoes, telling everyone what she thinks, strong peppermint gum and laughing really hard. Most of all she enjoys her Juno.

Karen Portaleo is a master with the art of sugar!

Karen Portaleo Cake Artist at Highland Bakery in Atlanta, Georgia

Karen Portaleo Cake Artist at Highland Bakery in Atlanta, Georgia

Karen Portaleo Cake Artist at Highland Bakery in Atlanta, Georgia

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Karen’s has oodles of cakes to show you at her photostream.

…and more links here -

Karen’s Web Site http://karenportaleo.com/

Keren’s Blog http://specialsugar.blogspot.com/

Karen’s Job http://highlandbakery.com/bakeshop.html

What would this world be without art and creativity? One thing’s for certain…it’s a lot more fun with Karen in it.

Thanks for dropping by!…Like us on facebook.

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Don’t Play With Your Food – Except For You Carl Warner

Magnificently stunning landscapes made out of food.

I’d imagine it would be fun living in Carl Warner’s head.

You’ll never see the produce section in your supermarket in the same way…at least Carl doesn’t.

It draws you in because it’s curious and fun to identify the various foods used in his fantasy lands.

FOODSCAPES photography by Carl Warner

“Foodscapes started out as personal project where I wanted to highlight the idea of implied design within the natural world, the qualities within organic forms. I begin by drawing a very conventional landscape using classic compositional techniques as I need to fool the viewer into thinking it is a real scene at first glance. It is the realization of what the real ingredients are that brings a smile, and for me that’s the best part.”

Enjoy this delightfully entertaining eye candy. You can click to enlarge any images.

FOODSCAPES photography by Carl Warner

FOODSCAPES photography by Carl WarnerFOODSCAPES photography by Carl Warner

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 Thanks to all of you who send in your tips and links on the uber cool. Isn’t this fun?



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Ultra Wide Nature with Sigma12-24mm F4.5-5.6 DG HSM II

 Boat on Shore by Marc ManthaUltra Wide Fun!

Click to enlarge photo >>

This lens has turned out to be a ton of fun. Starting at 12mm, it dips into the fish eye range, topping at 24mm. It’s not a really fast lens, nor does that matter if mainly outdoors and still photos where you can use a tripod.

So let’s see what this baby can do. As usual, add a pinch of HDR with sharpening. You have to sharpen photos you’re optimizing for the web. The re-sampling when you re-size makes them soft. Added here is a test drive of the Tokina AT-X 16-28mm F2.8 PRO FX. I sided with the Sigma…more on that ahead.

Some Favorite Shots

I’m smitten with this lens so far and looking forward to more in the coming months. I’ve quite a few photos to review including some indoor architecture. It’s the outdoor photography that seems to fit this lens deliciously.

Deliveries were delayed by about 3 months I would assume because of the earthquake in Japan earlier this year.

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Details on the New Sigma 12-24mm II

Sigma 12-24mm F4.5-5.6 DG HSM IIMSRP $1400, you can easily get it for $300 less from major online retailers.

This fits into the Wide Angle Zoom Lens category.

Sigma’s new 12-24mm F4.5-5.6 II DG HSM is an update to the 12-24mm F4.5-5.6 EX DG ASP HSM, which has been a photographer favorite since it was first introduced in 2002.

Revisions to the lens include:

  • The inclusion of one Special Low Dispersion (SLD) glass element and four of the company’s new “F” Low Dispersion FLD glass elements to compensate for color aberration and provide high image quality.FLD glass is the highest level, low dispersion glass available with extremely high light transmission and performance equal to fluorite glass.
  • The new 12-24mm contains three glass mold elements and one hybrid aspherical lens for advanced performance and compact and lightweight construction.
  • Super Multi-Layer Coating to reduce flare and ghosting, and a Hyper Sonic Motor (HSM) to ensure quiet and high-speed autofocus, while allowing full-time manual focus override.
  • Minimum focusing distance is 11 inches throughout the entire zoom range; its maximum magnification ratio is 1:6.4.

Marc’s Review on the Sigma 12-24mm

Nice build, notable precision fit on the special lens cap design for this bubble tipped lens. The cap for the Tokina AT-X 16-28mm F2.8 could have been better. It’s just molded plastic and falls off.

The Sigma lens is DG, for full frame sensors. For smaller sensors, you might look at the very well priced 10-20mm F4-5.6 EX DC HSM MSRP $740. Again, shop the web, you can do better with a little Googling.

The permanent lens hood is solid. Feels like some kind of alloy. The end of the lens glass protrudes quite a lot, so that’s important when your out in the forest trails.

You’ll be able to exercise your scenic composition skills. Scenic’s can be greatly improved with interesting foregrounds to visually step into a photo. With this lens, it’s easy. A full 122 degrees! Careful your hiking boots don’t end up in the shot too often.

This lines up nicely with my total focal length as follows:

12-24mm, 24-105mm, 100-400mm. The follow through works out nicely. The 24-105mm is useful as the “walk around” lens with a range of wide angle to telephoto. Where one lens focal length tops out, the next lens pick up. You don’t have to have a flow through like this. You need to get what suits you shooting style and creative direction.

Sigma VS Tokina (BTW, both made for Full Frame Sensors)

Tokina AT-X 16-28mm F2.8 Pro FX Ultra Wide Angle Zoom Lens

Sigma’s new 12-24mm F4.5-5.6 II DG HSM Versus Tokina AT-X 16-28mm F2.8 PRO FX. You can use lenses designed for Full Frame Sensors on smaller sensor digital SLRs which moves the perceived focal length higher (crop factor). Simply put, the smaller sensor reduces the captured field of view, so it’s cropped. It’s like looking out the window at the same scene, but through a smaller window (sensor).

My point of view is based what I was best for me. Subjective it is.

The Tokina is fast constant f2.8 for added value. That would be pretty awesome for hand held indoor ultra wide angle photos where light is usually less than optimal and shutter speeds slow down. My shooting tends to be outdoors, so the feature gets discounted. Next, the difference in focal length between the Tokina’s 16mm and my 24mm – (the starting focal length of my next lens up – was trumped by the Sigma 12mm starting point.  So I was getting a little more focal length considering what I already owned. 12mm also dips into the fish eye focal range. Not that fish eye is important to me, but a nice little extra focal length stretch when you’re dropping a G note on a lens.

FYI, with the Tokina, in warm weather, the lens cap will likely fall off when the camera is hanging downwards. Seems to be fairly widely noted. Lens cap aside, it is a nice value for a fast wide angle zoom lens.

Tokina’s One-Touch Focus Clutch

A notable feature with the Tokina AT-X 16-28mm F2.8 PRO FX is the One-Touch Focus Clutch Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually.

Have fun, take lots of photos.

Keep those comments and questions coming.

It’s always my pleasure to help.

 

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Angel’s Guardian by Ryan Jaime

Editing Skills Take You To The Limits

The better a photographer’s skills in digital editing, the more they can present what manifests in their creative minds.

Over to Ryan…

Everyone knows the idea of a guardian angel, but what about an Angel’s Guardian? What protects an angel until it is ready to fulfill its purpose. Just a random thought that spiraled into this. Click the image below for a larger more detailed version.

Angels Guardian Ryan Jaime

I spent a lot of time on this project. Here is a video I created for this piece. Although not a detailed step by step (since I created it after the piece was finished) this video gives some simplified insight on the project process. Enjoy.

Ryan’s been a member of our friendly forum community for sometime. When he popped in recently, he showed us this remarkable art piece in our PhotosShop Lounge. I was impressed and ask Ryan if he’d like to share his work and he kindly obliged. We knew Angel’s Guardian would fit in nicely with the global talents we like to showcase at MAMAphotography.ca.

Ryan is a talented event photographer. Visit his website.

Thank you Ryan, always a pleasure!

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Kids Rule! with Paul Ripke

Paul Ripke Feature

“Grown Ups” is a hilarious photo switch up series.

This is pure digital fun! Paul has amazing and diverse talents, one of which is to entertain you through digital media. This is a series of photos with really tight editing. Wouldn’t this be a most awesome keepsake moms and dads? Surely you budding photographers and editors are going to give this a try. Paul joined art director Florian Schmucke and post production company POP to develope this entertaining series of head swapping fun.

Just click on any of these thumbs in the gallery to view the show.

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I Love PhotographyPaul is from Germany and has a remarkable portfolio.

Now that you’ve had a chance to see his work here, do visit his web site. His breadth of digital talents are outstanding eye-candy. Enjoy!

Paul, thanks for sharing your work with us. You make minds bubble with ideas!

Fun is good.

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New York City Goes Vertigo with Alfonso Zubiaga

Just when you think you’ve seen it all, Alfonso Zubiaga takes digital media and photography for a loop.

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New York City Photography by Alfonso Zubiaga

Alfonso’s technique creates architectural geometry that has a visually magnetic pull. It’s just plain cool! The photos were taken from the Rockefeller Center, Empire State Building and other New York City landmarks.

Photography by Alfonso Zubiaga

I contacted Alfonso a short while ago to get the OK to showcase his own creative perspective on one of the most photographed cities in the world. Kudos to Alfonso for becoming the photographer of the hour when it comes to New York. It’s not all he does. He’s very accomplished commercially and commercial work does not seem to interfere with stretching his creativity either.

The New York city photography is captivating using a technique of layering several images to make visual magic.

You can see more of Alfonso Zubiaga’s work here and here and here too.

Congratulations Alfonso. Very engaging work! Thank you for sharing and inspiring others.

Your comments? :)

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90 Degrees – Fresh Perspective by Stephan Zirwes

Everyday scenes, but like you’ve never seen before. Stunning head on photos at 90 degrees. Yes, those are skiers.

Stephan Zirwes Photography

Aerial photography is not new, but the perspectives of Stephan Zirwes are. Nearly all of his photos are direct overhead shots. The subject choices are everyday scenes, but never seen like this.

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Engaging.

Some photographers discover a niche or style of photography that makes you look.

Most of Stephan’s images are pushed into 2 dimensions when we’re used to seeing 3 dimensions, perspective and angles.

Stephan Zirwes Photography

Stephan Zirwes Photography

Stephan’s work covers such a diverse gamut and many views that are alien simply because we experience life with feet mainly on the plains of the earth.

Even air travelers don’t get this kind of a view unless there are glass bottom passenger aircraft I’m not aware of.

 

Who is Stephan Zirwes?

Stephan was born born in Sindelfingen, Germany. In 1994 he was self employed doing art video and installations and a few years later became more focused on photography and visual arts. In the coming years, a number of prestigious awards and recognition would follow. Most recently in 2009 Winner of the Hasselblad Masters Award. What a crown that is!

His exhibitions have traveled the world. Countries such as the United States, Russia, Korea, Dubai and Germany to name a few.

You can see more at Stephan’s website www.stephanzirwes.com

 

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Girls Just Wanna Have Fun! Ft. Heather Clemons

A fun and creative approach to great portrait photography.

Heather Clemons

She’s refined her craft, grown her experience and the playful creativity is an eyeful of fun. Heather is masterful in the studio with lighting and at getting the most fun out of her subjects. Fun is good.

 

We interviewed Heather to find out a little more about her and what she does best.

Hi Heather, thanks for taking this time to share your photography with us. Tell us about yourself and what got you started.

I majored in photography at Middle Tennessee State University, but started college as a vocal performance major with dreams of being a famous opera singer. I soon discovered that saying you want to be a famous opera singer is like saying you want to be a dinosaur when you grow up.  Photography was the best decision I ever made. I felt at home when I first picked up my camera. I have a lot of other weird hobbies:  Singing, belly dancing, and sword fighting. Sometimes in front of an audience, so I’m a unique kind of crazy. Photography is my one true love and what I always “come home to”, if you know what I mean.

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Do you have any tips for directing your subjects to get the kind of shots you’re looking for?

I’ve worked a lot in portraiture with a company and on my own. I’m a HUGE people person. The goal is to get to know my subject through photography.  I like to be organically and emotionally connected during a shoot and though I’ve been told I’m great at directing, I’ll only tweak a little when needed.  I treat direction like regular conversation, letting ideas flow. My best shots were made when we all just goofed off and tried ridiculous things. I have a lot of creative, amazingly talented friends, so that helps too.


When it comes to lighting, in your more recent work, are you using studio lighting? What works for you?

Oh god yes, I use studio lighting.  In college, studio lighting was my favorite class. I still use equipment from the University a lot of the time because they have some amazing stuff. I like keeping it simple with lighting setups because I believe the simpler, the better. The equipment I generally use is Profoto, and my favorite thing ever in the whole world is the Octolight. It’s magical, I swear.

What about outdoor / natural lighting? What’s your take on that?

I let natural light speak to me. Sometimes the cosmos is creating perfect lighting conditions just for me, or in some cases, that I’m challenged to find it myself.  Am I getting a little too philosophical? I promise I’m not actually insane, only slightly. I like to take my time outdoors as well with bracketing exposures, trying different angles and seeing what creates the most striking effects. I obsess a little, both behind the camera and in post-process. I play around in Photoshop like it’s a video game, because it’s fun.

What’s your preferred portrait lens(es) and/or range of focal length(s)?

A 50mm f/1.8 lens is just about the most versatile thing in the whole entire world for me. It got me through college. I have a Sigma 55-200mm lens, but I really don’t use it as often. The 18-55mm kit lens that came with my Nikon really isn’t that bad and has gotten me through. I’d like to venture into a super nice wide-angle lens. I’m not exactly rolling in the Benjamins and these things take time. I’ve learned to work with what I have. It’s not the equipment you have that makes you a great photographer, it’s what you’re able to create with what you have that matters.
When it comes to camera functions and features, what are the settings you pay most attention to?

The basics. Aperture, shutter speed, ISO. If you can control them with a basic knowledge of the zone system, then it almost doesn’t matter what kind of fancy specs your camera has, in my opinion. It all comes down to understanding light, how your camera captures light and how you can manipulate it. If you can do that – shazam, great photographs! The only other thing I care about, is being able to quickly change/navigate those settings on my camera.


Is there anything new you want to explore?

I’ve really been exploring the world of multiplicity and I want to take those concepts outside the studio to expand my portfolio. And I really wanna experiment with HDR photography, a desire which actually started after I read your blog and researched more about the possibilities.  I started my obsession with multiplicity the same way. After I started blogging, I learned a lot and have found much inspiration while writing, making me better at my craft everyday.  I’ve been humbled by those that come to my blog looking for expertise, because it’s such a source of growth for me too!

Ultimately, I just hope to keep pushing myself past what I thought I could do and eventually, take over the world.

Heather, it’s been a pleasure getting to know you. We’ll be watching you and your work in the years to come. Thank you for sharing!

Heather Clemons inspires other budding photographers with her approach in creating imagery that entertains and draws you in.

Check out Heather’s blog and her photostream at heatherclemons.com.

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An Awesome World – Photography by Fabio Celeita (HDR)

It’s not just the HDR effects. A great photo gets things started.

After flying under the radar for a while, Fabio Celeita surfaced again and dove into HDR photography. He picked it up at a pretty intense pace. He’s been inspiring his friends on facebook and back at the Sharing Digital Photography Worldwide Forums.

HDR = High Dynamic Range.

What is HDR Processing?

Any camera, film or digital, is unable to register the range of light in a manner that the human eye perceives it.When you have a photo  with hot spots or blow outs (opaque white areas that other wise has details you could see) or the inverse of solid black areas with details you could see with your eyes, these are the typical shortfalls of photography.  HDR processing help resolve the expansive dynamic range of light by using a range of exposures and taking the best of lightest and darkest details, then blending them with the average exposure.

Given that most HDR processing often has the appearance of an illustration, the dynamic range can be more realistic. One thing is for certain. Most find it visually engaging.

Let’s view of some of Fabio’s personal choices and ask some questions.

So what attracted you to trying HDR? There is something about HDR that I find surreal and very appealing. It is also unique, although some dismiss it as a technical flaw in digital photography; I believe it actually enhances the realm of possibilities within digital photography.

What or who were some of your influences in getting started? My original inspiration for learning HDR was you Marc. I’ve always been amazed by your photography, and although I lost touch for some years due to my career keeping me extremely busy, I always took peeks at your work from time to time. One day I saw your HDR section and the rest is history. I was hooked from the first image!

It’s not easy, but what are your 3 favorite HDR shots, why?

Favorite #1 Grandpa & Sofia: One of my favorites because I feel it captures a very tender moment between my dad and my oldest daughter.

Favorite #2 Huntington Beach Pier: An amazing sunset in California in which the HDR enhanced the beauty of the sunset.

Favorite #3 Sofia: One of my first "portraits" in HDR. It enhanced the sky and clouds leading to the subject. Add her dramatic pose and it makes for one of my favorites!

What range of focal length or lenses do you tend to use? I use all sorts of different lenses ranging from the 18-55 IS kit lens, the Canon EF-S 10-22mm (a favorite) but now replaced with the Canon EF 17-40mm L and EF 70-200mm F/4 (Non-IS) version. If I were to venture and guess the actual range that I enjoy shooting in the most, first would be the 10-12mm range for wide angle photos, then the 35-60mm range for portraits, as well as 70-100mm ranges.

Any ideas you have in the back of your mind you’re thinking about trying? I would like to try aerial photography in HDR. Also structure  photography with a “tilt” lens in HDR format. I’ve yet to find photography of either in HDR format.

When you look ahead, what do you want to accomplish with photography? I’ll to continue to chronicle the lives of my 2 daughters as they grown up so they can have those memories. I’ll continue learning more about photography and feel that my skills are still at the novice level. I’ll continue to grow and enhance skills. The ultimate personal goal would be to leave my corporate job and become a full time photographer.

Are you having fun? I am having a blast and I believe that it shows through my photographs. Photography is an outlet that allows me to escape the hustle and bustle of the business world with a way to express myself and share what I see on a daily basis through my camera lens.

 

Here’s more HDR eye candy for you courtesy Fabio Celeita :

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Special thanks to Fabio Celeita for sharing his fine work with here at MAMA.

Know any remarkable photographers on the rise? Let us know. They could get a feature here!

Anyone is welcome to join in and share comments.

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Macro Photography – Back to Basics

Featuring Photos by Eric Diller

The possibilities are spectacular. It opens up a whole new world of the minuscule. You just have to try it. You’ll need a little persistence though. Top this off with some fairly easy technique and you’ll get it. On occasion you will capture a “wow” moment.

Macro Photo by Eric Diller

Photo by Eric Diller

The trouble with macro photography:

  • Why are my close ups always out of focus?
  • Why can’t I get the focus in the right place?
  • Why does the Auto Focus keep zooming in and out?
  • What lens should I get for my digital SLR?

Help me please!…and we will. Some tips and inspiration ahead.

Whether you have a point and shoot (fixed lens) or digital SLR camera (interchangeable lenses). The challenges are the about the same.

Marc’s Dragonfly Tip: If you see a dragonfly and it flies away, it’s usually just for a few short seconds. They will almost always return to the exact spot.

Let’s take a look at some photos. Then we’ll discuss techniques and camera feature combinations to have some fun.

Macro Photography by Eric Diller (click any photo to enlarge).

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“The best thing about macro photography is that it brings every thing into a new perspective. Being able to get so close to your subject brings a whole new dimension on details. I usually photograph wildlife with a 500mm lens so going to macro is such a big contrast.The fact you have to get so close to your subject makes it even more challenging sometimes. My favorite subjects for macro are dragonflies and Lizards. For me its all about the hunt and waiting patiently for the right moment to capture.” ~ Eric Diller,Web Site: www.ericdiller.com

The main challenge with macro photography is focus.

Tips for Macro Shooting Success More Often

  • Minimum Focus Distance

    • Every fixed lens “point and shoot” camera or digital SLR lens has a minimum focusing distance. If you get closer than that distance, the lens is not capable of clear focus. Know what that distance is by looking in the lens user guide.
  • Auto Focus Control

    • Most every camera will have multiple AF (Auto Focus) points. With macro photography the depth of focus is so thin, getting the focus in the right place is critical. If all AF points are engaged (default) the camera takes a guess on where to focus and even gets confused zooming in and out repeatedly. This is a typical issue with macro shooting. Check your user guide to see how to select an AF point. I’ll suggest you use select the center AF point to start. Now you can use that AF point to target specifically the exact spot to focus. Typically the head or eyes for extreme macro close ups.
  • Metering

    • Consider Center Weighted Metering. Combined with the center AF point selected this will better help ensure your subject is well exposed and in focus. Two important technicals for a great shot.
  • Thin Depth of Field

    • You might think you have the focus in the right place and still find the results show other wise. That’s because when you are holding the camera, slight movements and the very thin depth of focus means you might have to try a number of times to get the shot just right. The simple action of depressing the shutter button moves the camera ever so slightly. It’s challenging even for the experienced photographer. For still photos using a tripod, not a problem.
  • Patience Pays

    • If you get some great shots of your first tries, you’re lucky. Patience and taking up repeated opportunities will yield you prize shots from time to time.
  • Simplify with Manual Focus

    • If you want to simplify the overall shooting technique. Some point and shoot fixed lens cameras, and all digital SLR lenses can be set to manual focus. For digital SLR lenses, the manual focus switch will be on the lens. Now set the lens yourself to the focus distance you want while looking. Now when shooting, you control where the macro focus falls more precisely by moving slightly back and forth. My preferred way of shooting macro.
  • Setting the Aperture for Wider Depth of Field

    • If you want to have more of the depth of your subject in focus, you can select a higher f-number. But keep an eye on the shutter speed. As you set the aperture to a higher f-number this slows down the shutter speed with each step up.
  • Every Point and Shoot Fixed Lens Camera has Macro Shooting Mode

    • Usually the setting is flower icon on the shooting dial located on the top right of the camera. Switching to this mode further enhances the camera’s close up focus ability.
  • The Last Step

    • Have fun! The best teacher is practice.

Have any burning questions? Ask me.

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When I Put The Camera Down

I still don’t know what I want to be when I grow up.

In school, this was the kind of thing I got into trouble for.  It developed into a style of cartoon I suppose. I went through these drawings and picked out favorites. Mad Magazine was my preferred satirical comic books back when. Does it show?

This book comes with me when I travel. That’s usually when something gets added.

Have fun. Gallery at the bottom.

Dance and Shout Doodle by Marc Mantha

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Got any fun or cool doodles? Share them.

Echoe…..echoe…..echoe.

I wish fun upon you all.

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Impressions Gallery is Back

Dragon Fly by Marc ManthaThis photo gallery (shown below) was first introduced as a feature on the front page for the MAMA Photography  site launch. It’s been added back into the site by request.

Anyone can take great photos. If you’re just starting out and don’t know where to begin, join me at the Sharing Photography Forums. Everyone is welcomed regardless of experience.

The dragon fly photo seen here goes to show that photo opportunities are everywhere. That was in my back yard. I’ll show you how to get great shots and have some fun with photography.


(Click on any thumbnail to enlarge)

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” I like to go out and find what I wasn’t looking for.” ~ Marc Mantha

Have any questions or comments? Share them.

You’re not shy are you?

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Salamagica, The Master Digital Artist

You have to see this talent. Incredible imagination and technique. Any budding graphic designer will appreciate the awesome imagery of Ricardo Salamanca (aka Salamagica).

Ricardo is a master at gathering photos that will meet the needs of the vision he has in mind. Then, he takes it into his world. This is top notch photography blending and digital editing art at it’s best. From fun and playful to dark and emotional, Ricardo conveys powerfully.



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Salamanca

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Salamanca

Salamanca

Link advisory.

Although most of Ricardo’s work is creatively playful, a small portion does depict violence and a bit of sexuality. The photos we are showcasing on this web page should be just fine for most viewers. The Creative Commons license does require a link to Ricardo’s site and credit.

Just so you know.

Here’s a link to a more complete collection of Ricardo Salamanca’s work.

MAMA Photography is always G rated.

Are you a trend spotter? Find something out of the ordinary? Tell me about it.

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