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Monthly Archives: February 2012
How Do You Take Your Protrait? 2D Photography
The ultimate photographer’s Rube video by 2D Photography
Thanks to Ian Worling for this find…
First, what’s a Rube? Complex gadgets that perform simple tasks in indirect, convoluted ways named after Rube Goldberg.
The folks at 2D Photography had a little time on their hands. This Rube just seems to go on forever. You might guess by the screaming and laughter at the end, that this might have been more than one take. 2D photography will be enjoying the benefits of this viral video.
Have fun and sit back for 4 minutes
Marketing Brilliance
Notice all the sponsor’s at the end of the video? They featured all their products throughout. Brilliant viral marketing!
Find something cool, interesting and really creative. Submit a link to MAMA.
Have fun!
Great Product You Can’t Have – Yet

Great Marketing…
Find a common problem
Solve it
Sell it
A great idea, now it’s a prototype looking to go into production.
Tangled cords are the Problem.
The Recoil Winder is the Solution.
RECOIL, What is it?
It’s not just about winding up cords and wires. RECOIL smarter than that.
The two videos below will explain everything. At KickStart, the RECOIL has surpassed it’s target funding by over %1000. That’s not an “extra zero” typo, people have to be excited to back it like they have. Creative brilliance strikes again! They’ve been reviewing production parts already but want to fine tune the quality…that’s always good to hear.
Thanks again to Ian Worling for a MAMA worthy find. We like cool.
First, the Story…
Now, the Commercial…
Thanks again for dropping by!
Got something to share? Drop us a link.
Nikon D800 SLR Digital Camera
Consumer’s win in Nikon versus Canon digital SLR wars
While rumors have been circulating forever about a new Canon 5D Mark III (or whatever they might call it), Nikon hits the market with their latest update in the introductory Full Frame SLR category…and it’s loaded.
Pre-orders
Expected availability: March 22 2012 pre-orders available click image below
The competition means feature packed products as the two SLR giants duke it out. The answer to what supersedes Canon’s 5D Mark II, maybe the Mark III is going to be even more widely anticipated now that Nikon’s D800 in coming down the pipe.
Back to the Nikon D800…
The D800 is the upgrade from the D700. That was back when Nikon fans where thrilled to be able to buy a quality full frame for about half the price of Nikon’s higher end D3s. Meanwhile, Canon already had the the 5D, like the D700, the entry model into full frame SLR photography. The new Nikon D800 retails for about $3,000 and add about $200 to $300 for the D800E.
In both cases, you’re getting a boat load of features with full HD video and top notch audio recording. Used to be a time when on board video for an SLR was adequate at best. These days, it’s pretty impressive and has come a very long way.
What is a Full Frame Digital Camera?
A full-frame digital SLR is fitted with an image sensor that is the same size as a 35mm (36×24 mm) film frame. This is in contrast to cameras with smaller sensors, typically of a size equivalent to APS-C size film, much smaller than a full 35 mm frame. Full Frame Sensors are synonymous with higher quality images and professional digital SLR cameras.
D800 or D800E?
What’s the difference?
The Nikon D800E features a low-pass filter without anti-aliasing properties to facilitate maximum sharpness levels when shooting RAW files.
It’s best used when the subject can be lit and photographed at a distance that mitigates the risk of moiré patterns common to fashion and textile photography.
No sense me spending time regurgitating. Now off you go to check out the specs and features for the Nikon D800 SLR Digital Camera!
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Shelter Dogs
Waiting for a friend…
That’s what seems to gleam through the eyes of these shelter dogs, the subject of one of Traer Scott’s best selling books. Simple near black and white portraits that grab your imagination and feelings.
Traer has been widely acclaimed for helping to bring awareness to forefront in a unique way.


Click any thumbnail image to see a more detailed view
Traer’s book Shelter Dogs is available online at the ASPCA Store.
She’s been very well reviewed by Life, Vogue, People and O to name just a few. Scott was the recipient of the 2008 Helen Woodward Humane Award for animal welfare activism and was most recently awarded the Rhode Island State Council for the Arts 2010 Photography Fellowship Grant.
MAMA: “What are you using for lighting? You’re achieving some nice portrait lighting.”
Traer: “Shelter Dogs was shot with good old-fashioned, environmentally friendly shade. Every shot is 100% natural outdoor lighting.”
MAMA: “What was your favourite lens for this project?”
Traer: “People are always surprised to hear that this book was shot with an Olympus digital point and shoot, but it was. At the time I was still shooting film which seemed prohibitively expensive for this experimental project since it often takes about 50 shots to get “the one”. Plus my pro gear was simply too cumbersome to bring into the shelter on a daily basis. My little Olympus Camedia got drooled on, rained on and knocked out of my hand countless times. It took the abuse in style. Even now, I still use a point and shoot for shelter photos rather than my pro gear.”
MAMA: “What were some of the challenges in photographing shelter dogs and what tips can you share with budding photographers?”
Traer: “Photographing animals is challenging to begin with but when you’re working with dogs whose trust has often been violated through abuse and neglect it can be even harder. Many are afraid of the camera or simply afraid of people in general. You have to find what motivates that specific dog and play to that. For many dogs, food is the great motivator which trumps fear, anxiety or shyness- while with others it’s toys or sounds that get their attention. Sometimes you have to spend a lot of time with a dog before they will feel comfortable enough to let their guard down. My advice is to be patient… and always carry treats.”
There’s so much more…
You really have to visit Traer’s web site with links to news, her blog, bio and her latest book!
Thank you for sharing with us Traer!
All the best in your endeavors.
Making Magic Photographing Children
“Laura Lynne Photography” Is Fun
Photographing children comes naturally to Laura Lynne with her organic style.
Click any photo for a more detailed view.
Kids, they light up your life. A few photographers have that combination of patience and timing to capture the magic moment. Laura Lynne Stetser caught our eye here at MAMA.
She’s offered to share some tips and advice too!
Laura has a breadth of creative work. Her children’s photos have a sparkle, a “joie-de-vivre”. Capturing the energies and memorable expressions that would make any parent gleam. She’s also very technically astute in how she frames up her subjects and uses the space in the frame with attention to details like composition.
Click on any thumb to for a detailed view.
Q and A with Laura Lynne
MAMA: “Budding photographers often say that photographing children is challenging, sometimes difficult. How do you handle the more challenging kids?”
Laura Lynne: “ I genuinely love working with kids. Having three of my own definitely helps in relating to and working with children and their different personalities. There are steps you can take that help avoid having a difficult child in your studio to begin with.”
Laura Lynne’s Tips From Experience
It’s important to book a session at a time that is right for each child. In my experience, most children are better in the morning versus afternoon.
- Ask the parents when their child is at their best and book the session around that time.
- Remind the parents to bring snacks or bottles and to stop for snack times during your session if necessary.
- Ask the parents to bring favorite items their child loves (ie lovies, stuffed animals, etc). Helps them feel more comfortable in the studio or whatever your location.
- Give the child time to adjust to your studio or location before you begin shooting and to interact with them a little so they feel comfortable with you.
What if I still have problem child?
If you’ve done all those things and you just happen to have a difficult child on your hands there are a few tricks you can try. The tickler (I learned this from Sandy Puc) – have a few dusters in your studio and introduce the child to them as “the tickler”. I explain that in my studio, if you don’t smile, you get tickled. I show them by tickling mom with the duster, then giving mom control of it. During our session, I’ll coach her to jump in and “tickle” her child with the duster. Of all the simple but oh-so-effective-tips I’ve gleamed from seminars and classes, this is the number one shining gem. Works like a charm. Never tickle in the face and usually works for children 6 months + and older.
Other methods
- Singing songs like Wheels on the Bus or something they’re familiar with.
- Playing peek-a-boo from behind the camera.
- Saying things like “I’m gonna get you!” and hopping in to lightly tickle them.
- Sometimes, just taking frequent breaks and changing the set.
- Finally, having mom and dad leave the room can help.
Studio Lights, Indoors, Natural Light, Outdoors, What Do You Prefer?
MAMA: “What are some of the things you prefer when it come to a photo shoot?”
Laura Lynne: “ I love it all. I think a blessing/curse with me is I get bored very easily so I’ll never be the photographer to work with one set or one location repetitively. I like mixing it up – after winter, I’m itching to get outside and work with sunlight but I adore my studio and having different props easily accessible and playing with lights and effects. The curse is it can be really expensive to constantly want new backdrops and props so I’m always on the lookout for great thrift store finds or clearance items for props, etc. and I’m a big fan of painted walls (easy to change!) and wallpaper (easy to cover!) and rugs (easy to pull around and create different looks).”

Laura Lynne’s Favorite Lens
MAMA: “What is your favourite or most often used lens(es) and why?”
Laura Lynne: “Canon 24-70mm f/2.8 L – I like being close and personal but not too close (or too far) – this lens is a perfect blend for tight and full body shots while remaining in close proximity to your client and it’s sharp, fast and reliable.”
How Did Laura Lynne End Up Here?
“Trial and error, many mishaps, several small successes and making good contacts, then finally forming a solid client base that fits my style, personality and studio. I’m still working to build that client base but I feel that my studio is coming into a place where I’m finally working with people who truly appreciate my art and who I really enjoy working with and who, in turn, enjoy working with me.
I want to work with clients that inspire me to do anything to make them happy because then I know I’m working with people who appreciate me as much as I appreciate them. It is a business but it’s truly a personal, customer-service driven business. I refer to my clients as my studio family and for me, they are an extension of my family and friends and that’s the way I want it.”
Laura Lynne’s Business Advice
“Learn everything you can but then make your own decisions based on what works for YOU – don’t set your standards by what other studios do, learn from them but make choices based on what fits your style, your personality and what you want to bring to the industry and to your clients.”
What I like to Photograph For Fun, On My Own Time
“I grew up in the country and learned a lot about my craft by spending days hiking the trails and photographing scenery. I love to escape to the country or small towns and spend days photographing nature, store windows or whatever else inspires me. Then, every once in awhile, it’s always fun to grab an inspiring subject and just do a shoot for fun where there are no expectations and you can play with posing and light and composition.”
Thanks to Laura Lynne for sharing, inspiring.
Check out the Laura Lynne Photography website for more creative and inspiring photos.
Kids Are Awesome
Today’s smile. Top end of the cute-o-meter.
Every child has awesome in them.
White Stripes “We’re Going To Be Friends”
This one could be joining the Youtube million hits club.
Produced by D-PAN, the Deaf Professional Arts Network
American Sign Language Direction by Ronald Dans
Directed by Nicholas Hill of Lucky Airlines
Special thanks to Ellen Jiskra Huber, nice find.






















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