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Monthly Archives: August 2011
Photo de Jour, Utra Wide 122 Degree HDR -
The Seneca Boat House at Sunset -
See a larger more detailed image, click on it (really, it’s juicy!)
Mother Nature springs things on you. Beautiful fleeting moments. Click, click click. I had but a few minutes and this would gone. Getting a good exposure on a strongly back-lit scene like this is rare. I’ll only know how it turned out back at the studio.
This was on the trails at the Seneca College King Campus north of Toronto, Canada.
I was taking a new lens through it’s trials. It’s the updated SIGMA 12-24MM F4.5-5.6 II DG HSM LENS (for full frame sensor). It’ll be reviewed here once I get a few hundred shots in to better determine what it can do.
How Did You Shoot This?
Footnotes off the top of head or what’s going on inside of it…
I use Aperture Priority (Av) almost exclusively. As I was moving along the water side trail taking photos, in some instances, the shutter speed was getting slower. I decided to move the ISO up to give the shutter a boost as I didn’t have a tripod. When doing hand-held shots, you need at least 1/30 of a second and a steady hand to avoid blurry camera shake. At this point on the trail, mainly forest shots in low light. When shooting the featured photo, that all changed shooting into a bright background, I could put the ISO back to 100, and because I was shooting really wide at 12mm, I lowered the f-stop (open the aperture) to speed up the shutter. Hind site, the f-stop could have been a little higher having achieved 1/320 shutter speed, but it changed with every shot and this scene is gone in minutes.
That above mentioned paragraph sounds confusing, but that’s what’s going through my mind as I’m moving along and assessing everything moment by moment.
Experience has been the best teacher of all.
My metering is Center Weighted, not to confused with Spot metering. So I’m taking several shots, recomposing. I partially depress the shutter button to engage the metering (and focus) near the setting sun, re-frame the shot and follow through pressing the shutter button all the way down. I don’t meter right on the sun, because then the background would likely become too dark. I’m trying to find a medium to medium light area to meter on. You just can’t tell from your built in camera screen exactly what the outcome is, so I focus and recompose about a dozen times moving the spot where I’m metering several times.
This is my typical mode of operation for outdoor photography.
I have to be fluid in this situation…in less than five minutes, the light is gone.
Actual Settings for this Shot
- Shutter Speed 1/320
- Aperture (f-stop) 5.6
- Metering Mode: Center weighted average
- Exposure Compensation 0
- ISO Speed 100
- Focal Length 12mm ultra wide (fish eye range)
- White Balance Daylight
- AF Mode – One Shat AF
- Drive Mode – Single Frame Shooting
The final stage was processing with Photomatix Pro for a very light application of HDR. Then my Lab Sharpening Technique and removing a speck. Time to clean my sensor, I’ll get right on that.
I’ll gladly entertain your questions.
Have fun, keep on clicking and try something new.

What to do with all those Tomatoes?
It’s been a good year with more vegetables to come. Started canning tomatoes in late July!
A List Of This Year’s Fair
- Tomatoes (Beef Steak, Florida Giants, Cherry, Brandywine and maybe some late Romano)
- Sweet Red Peppers, Carmen, Mini Round and something unknown
- Oregano and lot’s of Sweet Basil
- Black Berries
- Pears
The area where of the garden is only about 600 square feet. Actual garden space is only about 200 square feet. Here’s the layout.
Determinate and Indeterminate Tomatoes
So far we harvested lots of Beef Steak. These were determinate plants, that is, you get lots of fruit all at once and the plant doesn’t produce anymore. All the other tomato plants in the garden are indeterminate and will keep producing until the first frost. This was a good blend allowing us to get part of the harvest early.
I think I’ll do this again next year.
Pam, my neighbor across the street come over to share some garden vegetables Ben had planted and I returned back to them some home made salsa and tomatoes. Wouldn’t it be great if everyone in the neighborhood had a garden and we all traded veggies? I’d even buy it.
Here’s a shot of the first batch of Beef Steak Tomatoes.
Shooting Details Above Photo -1/4 seconds, f4/0, centerweighted average metering, no exposure compensation, ISO 200, lens Canon EF 24-105mm L f/4 IS USM, focal length 55mm, white balance Daylight.
Now that I have these beautiful tomatoes, I’ve been looking forward to preparing the salsa recipe from The Harrow Fair Cookbook. I tasted this salsa recipe at my mother’s and it was delicious! Moira Sanders who authored the cookbook with Lori Elstone and Beth Goslin Maloney is happy to share that recipe here with you. Thanks Moira!
Awesome Vegetable Salsa as Featured in The Harrow Fair Cookbook
If you’re a fan of food, this is a great cookbook. It’s a cookbook for everyone. Here’s the recipe straight out of the cookbook…
This Salsa has a lively, fresh taste and is great to have on hand in jars year-round. The recipe is from our friend Tara Meyer, who got it from Art Zitlau, the long-time principle at Harrow Senior Public School. Makes six 16 oz (500ml) jars.
10 cups (2.5 L) chopped fresh tomatoes- 2 cups (500 mL) chopped yellow onion
- 1 1/2 cups (375 mL) seeded and finely chopped fresh jalapeno peppers
- 1 cup (250 mL) finely chopped green pepper
- 1 cup (250 mL) finely chopped celery
- 1 cup (250 mL) finely chopped carrots
- 4 red hot chili peppers, seeded and finely chopped
- 5 garlic cloves, minced
- 3/4 cup (185 mL) white vinegar
- 1 1/2 teaspoon (7 mL) ground cumin
- 1/2 cup (125 mL) tomato paste
- 1/4 cup (60 mL) granulated sugar
- 2 Tbsp (30 mL) kosher salt
- 1/2 cup (125 mL) finely chopped fresh basil
- 1/2 cup (125 ml) finely chopped fresh cilantro
- 1/4 cup (60 mL) fresh lime juice
Prepare six 16 oz (500 mL) jars, lids and rings for canning. Hold the sterilized jars in the boiling water canner until needed.
Place all of the chopped vegetables in a large stockpot. Stir in the vinegar, cumin, tomato paste, sugar and salt. Bring the salsa to a boil, then simmer over medium-high heat for 30 minutes, stirring occasionally.
Stir in the basil, cilantro and lime juice. Remove from the heat. Fill and seal the hot jars one at a time, according the manufacturer’s directions. Process the jars in the boiling water canner for 15 minutes.
STORAGE Enjoy at any point, but use within 1 year.
>> If you are chopping hot peppers by hand, we recommend wearing plastic gloves. While working, be careful not to touch your face, especially you eyes.
Enjoy the salsa! Have fun.
Mr. Chimpanzee’s Chip Truck – A Little HDR
A Simple Shot of a Great Canadian icon – The Chip Truck
When applying HDR, you don’t always have to push it to that famous HDR stylish look. You can keep things real by applying just enough. I’ll share some details with you.
This chip truck is located at Brook’s Farm and the fries are tasty.
I’m using the usual 24-105mm Canon L Series lens, Av (aperture priority). I’ve enjoyed this lens a lot these last few years. It’s not a fast lens but it serves me well as I shoot mainly outdoors or using a tripod. So I really don’t need an f2.8 lens. Shooting with a full frame sensor, I find boosting the ISO not as detrimental as some of the smaller APS sensor cameras I had in the past. I never hesitate to get an ISO boost that speeds up the shutter.
I have test driven the Tokina 16-24mm f2.8 lens. I’ll have more on that very soon. Promise.
First, let’s look at the original shot as is…
It’s not bad. The sun is a bit intense washing out the nice lime green paint color that looked much richer and deeper to my eyes.
Mid day sun doesn’t favor photography in most instances, But some gentle HDR can help restore this while keeping things looking real and pumping in just a little more “dynamic range” that also reveals more details that our eyes are capable of seeing.
When I refer to HDR processing, I’m talking about Tone Mapping using Photomatix Pro.
Here’s The After (click to enlarge)
A Outline of the Process
- Single Shot Raw Format
- Open in PhotoShop Raw Editor, create 3 exposures (+2, 0, -2) and save as JPEGs
- Open all 3 exposures in Photomatix Pro and select Tone Mapping
- Using any of the presets will inevitably be too bold and highly stylized. Adjusting and experimenting with the settings will give you the best results for a gentler more realistic application of Tone Mapping.
I have some more goodies coming up!
Stay tuned and have fun. Yes, you guessed it…fun is good!
Questions? Ask me anything.









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