Monthly Archives: April 2011

Surfing On A Cheeseburger?

Welcome to today’s editing challenge. I have to create an entertaining graphic to go with an article about burger resurgence. I know, isn’t this a fun job?

“Can we have a surfer on a cheeseburger patty?”

Why of course, we can do that…I think. Let’s get started.

Sure, just a guy surfing.

First, we go through hundreds of surfer shots for just the right angle with a nice wave.  This is the original shot we used. The finished imagery is at the bottom of this article.

Here’s what we need to do with this photo:

Beach dude is getting a makeover.

  • Take out the clouds
  • Put a shirt on the surfer
  • Punch up and change the water color
  • Add some water drops in the air
  • A plethora of editing retouches

Now we need a cheese burger surfboard:

  • Go to the local market and pick up some sirloin burgers and cheese slices
  • Set up the mini studio and lighting
  • Prop the burger up on and inverted wine glass, we need some height for a matching angle

Note: The key is to shoot the burger patty at the same angle (nearly straight on) as the surfboard in the photo

The fun really begins!

The quick set up mini studio for small product shots.

Portable mini studio and lighting. Perfect for small product shots.

Burger on inverted wine glass for height...hey, whatever's handy!

Burger on inverted wine glass for height...hey, whatever's handy!

Blending recipe using Adobe PhotoShop:

  • By now I have prepared several layers containing elements like the surfer, the waves, the water drops flying in the air and the burger to name a few
  • Place the burger layer in between the surfer and the waves. Now we have to make it look like it belongs being mindful of the direction of the sunlight
    • Transform > Distort to size and add perspective to the cheese burger
    • Shadow the underside of the burger
    • Shadow on the wave below the bruger
    • Make the cheese burger appear to merge into the water by using the eraser tool set to a soft brush. Then a little semi transparent cloning of water over it.
    • Add some water drops on the cheese burger using the Clone tool.

All in a day’s work. Check out this interesting video about food styling.

So here’s how is all comes together…

Adobe PhotoShop is the world standard for creative image editing. The possibilities are endless for beginners and professionals alike. Join in the creative fun!

The Cheese Bruger Surfer rides! ...by Marc Mantha

I Love PhotographyWasn’t that fun?

Fun is good. Have some every day.

 

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Look Sharp. Pop The Details! Part I “Web Images”

The secrets behind Marc’s Lab Sharpening Technique

Nearly every photo I’ve post online has the Lab Sharpening Technique applied.

Digital photos tend to shoot a little on the soft side even with on board sharpening which many digital cameras have today. You’ve seen photo online and might have wondered: “How did they get the details so fine?”.

This is a basic must know PhotoShop technique to sharpen up the fine details in your photos. Most budding photographer’s will use PhotoShop’s Unsharp Mask (I know, why do they call it Unsharp when it sharpens). That’s great but it can cause an unwanted halo effect on fine lines and details.

Here’s an example of the Lab Sharpening Technique. That little extra edge for fine details.

Lab Sharpening Technique Sample by Marc Mantha

Here’s the full sized sharpened web photo.

Why the Lab Sharpening Technique?

Using PhotoShop, this technique applies the sharpening to the Lightness Channel in Lab Color Mode instead of all the image channels. It’s doing the same as the more commonly used Unsharp Mask, only better.  This works great for adding a nice punch to the details for web posted photos or print. Be aware that Lab Sharpening for print and web are not executed in the same way. I’ll show you more in Part II coming soon.

Talk to me

If this sounds like an alien language, don’t worry. I’ll lay it all out for you. I want you to be successful.

This also applies to most any version of Adobe PhotoShop too. Although the video tutorial was produced using a Mac, the process is exactly the same with the Windows version. It just looks a little different.

I have a web-cast demonstration for you lower down.

PhotoShop Smart Sharpen Screen ShotPart I – Sharpening a web optimized photo:

  • Change the color  mode from RGB to LAB. From the file menu select Image / Mode / Lab.
  • In the Layers Panel (aka Layers Palette) click on the Channels Tab. If not visible, from the file menu at the top, select Windows / Channel and it will appear to the left of your screen desktop.
  • In the Channel tab are four Channels as follows: Lab, Lightness, a, b. Click on the Lightness channel to make it active. Your image will turn to black and white.
  • Next, from the file menu at the top, select Filter > Sharpen > Smart Sharpen and the dialog box pops open (shown right). The settings for Amount tends to be under 100% with a radius of about 0.5 when sharpening web sized photos.
    • Optional, you can then add a small amount of Smart Sharpening to the overall image by clicking on the Lab channel as demonstrated in the web-cast.

The overall advantage of the Smart Sharpening the Lab Lightness channel is that it better avoids halos around fine details more common to using the Unsharp Mask.

NOTE: Once you have finished sharpening, you can’t save as a JPEG while in Lab Color mode. Simply go to the File Menu at the top, select Image > Mode > RGB. Now save as a JPEG if desired.

Watch the video:

I Love PhotographyNext, in Part II, we’ll look at Lab Sharpening for print sized images.
More to come.
Have a question?…that’s right, just ask.

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Abandoned – Today’s Featured Photo

An abandoned farm. Something I’ve always wondered about in this photo that was right under my nose. Look on top of the tire. See the red view-master (since 1939)?  I should have picked it up to see if there was a disk inside. In any case, I like that door made of patchwork wood scraps. The light has some interesting dynamics. Some of it coming from the holes in the roof and through the cracks in the door.

Photography is very disruptive to destinations, but makes for a more interesting journey.

The Old Slaughter House by Marc Mantha

Here’s little background on this photo.

Remember the first Canon Digital SLR? The EOS Rebel 300D. Six megapixels if I recall.

Shot in April of 2004. Camera introduced in 2003. A ton of fun back then!

Morning light, just before 10AM using a kit lens, 18-55mm. The focal length was 27mm, shutter 1/60 of a second, aperture or f-number 6.3. Lots of folks knock that old kit lens. It was cheap ‘n’ cheerful and entertained me very well.

Punch it up!

Added some HDR processing with Photomatix Pro. The original format was a single JPEG which can be opened as Camera Raw format in the Adobe PhotoShop Editor to create the multiple exposures required for HDR blending in Photomatix Pro Tone Mapping. Some additional adjusting in PhotoShop which would include my LAB sharpening technique.

Your questions are always welcomed.

Have fun and keep on clicking!

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Shooting Strangers?

I was sitting with photographer Robert Brown and he asked if I had ever been confronted when taking photos in public. Yes, well kind of. Most people don’t pay attention, some are politely curious. I can only ever recall a few occasions that might have been out of the ordinary.

One situation was a wobbly young man with slurred accusations. That was easy. Pick up and walk away. You can’t negotiate with a giant walking martini.

“Like a showdown at the OK Corral we were shooting each other.”

Another interesting event was in the heart of downtown Toronto. A security guard came out with a camera and began taking my picture, so I took his. I was in a public space on a sidewalk and well within my rights like any tourist, from a courtesy and legal perspective . He was clicking away and walking towards me. Like a showdown at the OK Corral we were shooting each other.

Face to face, he began asking questions and asked for personal information – out of bounds lets say. However, I gave him more information than he might have ever wanted including my business card with an invitation to visit some of my websites and maybe join me for an online course. And don’t forget, the secret weapon – smile.

In my mind, barely a confrontation.

Most strangers are just friends we haven’t met yet.

Man in Blue by Marc Mantha

Would you ask a stranger on the street if you could take their photo?

Photography is a great way to engage others. People are so much more than what we see on the surface. It’s marvelous how total strangers on the streets of a big metro city can be so open and willing to share.

How to approach someone you don’t know about taking their photo.

How do I ask?

When taking photos in public places, anyone can see what I’m doing. And it strikes their curiosity. They want to get in my head. What is so interesting? Take your camera into a busy place anywhere on the planet, point it up to the sky and you’ll notice many  heads will look up with you.

Always smile. Say “Hello” and “How are you?”, get some small talk going. More often than not, the person asks me something about what it is I’m photographing. Great segue and a good sign. I prefer not to rush into asking them if I can take their photo. That’s personal. You can build a lot of rapport in five minutes. I haven’t been turned down.

What are you going to do with the pictures?

My explanation goes something like this:

“I take a lot of photos. Most of them get deleted. Occasionally, some turn out really well. I don’t expect to do anything with these commercially, because this is casual photography I do just for fun. If you like, I’ll give you my card or I can take your contact information. If something turns out nicely, I’ll let you know. I’d gladly give you a print.”

That usually seals the deal. I’m not spelling this out so you can have a script.

Just tell it like it is.

Getting serious and using a release form.

I have list of ideas for photo imagery I want to create that will involve people. I might want to use a release form. These creative projects would be staged, perhaps in the studio or other locations. Still casual and for my own amusement and self promotion. I would likely consider using a release form. Most people are enthused to participate in creative projects and I would certainly provide them with a print of the best outcome(s). Commissioned commercial photography is whole different show.

I Love PhotographyA sample release form.

Here’s a very simple sample release form. Click this link to download. I’m not a lawyer although I do play one on TV, so do your homework and have fun.

Thanks for sharing your questions and comments here on the community blog. That’s a wrap!

 

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Commando Style Hit and Run Photography -

Anything can happen. Anywhere, anytime.

Getting a good shot can be unexpected. Sure sometimes you’ll take your time to consider and set up for a shot, yet other times it’s a commando style hit and run.

Sometimes an interesting photo will do just fine.

Not every photo has to be  great. Yet on occasion, you can surprise yourself.

Here’s a quick walk-by shot. Quick stop, small town…click! In my mind this photo has unanswered questions and I find that appealing. I don’t know at length what it is about this one, I just like it. Photography is like wine and any fine art, subjective.

A Home by Marc Mantha

Know your camera.

Knowing your camera really well is going to help you get out of automatic shooting mode. It’s only a matter of changing your habits. Ease into it by just looking up two functions for starters. Get your camera manual out. In the word index at the back, look up:

  1. ISO
  2. White Balance

Give each function a read, find them on your camera and change them. Take a few clicks with different settings then review them on your computer. That’s pretty much where I started when I decided take creative control. You can too!

Help me, I can’t find my camera manual.

In case of emergency, click here!

Keep your manual with you at all times.

Like so many others, I was never a fan of any manual. That all changed when it came to photography. There really isn’t anything more important than that camera manual if you expect to get more out of photography and your camera. Creative control might seem a little complicated at first, but once it starts to click (pun intended), you’ll be glad you did.

The word index.

At the back of your camera user guide, the word index is a great way to pinpoint what you’re looking for. Keep your manual at your side to look up the basic terms that pop up in the lessons. This will speed up your photography IQ. I still take my camera manual with everywhere. It’s a life saver when situations pop up for some lesser used functions I might need on the go.

Did you do a hit and run lately?

What is it you wanted to ask me?

 

 

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